4th Quarter 2017-2018 Western Civilization

Fourth Quarter Art Examples

French Romantic School:

Eugène Delacroix (1798-1863)

4-01 Orphan Girl in the Graveyard

01 Orphan Girl in the Graveyard (1823)

4-02 Greece Expiring on the Ruins of Missolonghi

02 Greece Expiring on the Ruins of Missalonghi (1827)

Honoré Daumier (1808-1879)

4-03 Crispin and Scapin

03 Crispin and Scapin (1863-65)

English Romantic School:

J. M. W. Turner (1775-1851)

4-04 The Slave Ship

04 The Slave Ship (1840)

John Constable (1776-1837)

4-05 Hampstead Heath Brand Hill Pond

05 Hampstead Heath: Brand Hill Pond (1828)

French Impressionism:

Edouard Manet (1832-1883, French)

4-06 Street Flags

06 Street Flags (1878)

4-07 A Bar at the Folies-Bergere07

A Bar at the Folies-Bergère (1881)

Claude Monet (1840-1926, French)

4-08 Impression Sunrise

08 Impression Sunrise (1872)

4-09 Les Coquelicots

09 Les Coquelicots (The Wild Poppies) 1873

Edgar Degas (1834-1917, French)

4-10 L'Etoile ou La Danseuse sur la Scene

10 L’Étoile ou la Danseuse sur la Scène (The Star, or The Dancer on the Stage) 1878

Pierre-Auguste Renoir (1841-1919, French)

4-11 Moulin de la Galette

11 Moulin de la Galette (1876)

Post Impressionism:

Vincent van Gogh (1853-1890, Dutch)

4-12 Wheat Field and Cypress Trees

12 Wheat Field and Cypress Trees (1889)

4-13 Starry Night

13 Starry Night (1889)

Georges Seurat (1859-1891, French Pointillism)

4-14 La Parade

14 La Parade (The Sideshow) 1887-88

Henri Toulouse-Lautrec (1864-1901, French)

4-15 Jane Avril Dansant

15 Jane Avril Dansant (Jane Avril Dancing) c. 1892

Paul Gaugin (1848-1903, French)

4-16 The Vision of the Sermon

16 The Vision of the Sermon (Jacob Wrestling with the Angel) 1888

4-17 Whence Come We What Are We Whither Do We Go

17 Whence Come We? What Are We? Whither Do We Go? (1898)

Paul Cézanne (1839-1906, French)

4-18 Mont Sainte Victoire

18 Mont Sainte Victoire (1897)

French Expressionism (Fauvism):

Henri Matisse (1869-1954)

4-19 Harmony in Red

19 Harmony in Red (1908-09)

4-20 The Dance

20 The Dance (1910)

Georges Rouault (1871-1958)

4-21 The Old King

21 The Old King (c. 1937)

Twentieth Century Abstractionism:

Marcel Duchamp (1887-1968, French)

4-22 Nude Descending a Staircase No. 2

22 Nude Descending a Staircase No. 2 (1912)

Hans (Jean) Arp (1886-1966, German/French)

4-23 Collage with Squares Arranged According to the Laws of Chance

23 Collage with Squares Arranged According to the Laws of Chance (1916-17)

Pablo Picasso (1881-1973, Spanish)

4-24 Les Demoiselles d'Avignon

24 Les Demoiselles d’Avignon (The Women of Avignon) 1906

4-25 The Three Dancers

25 Three Dancers (1925)

4-26 Still Life on a Table

26 Still Life on a Table (1931)

4-27 Guernica 2

27 Guernica No. 2 (1937)

Abstract Expressionism:

Wassily Kandinsky (1866-1944, Russian)

4-28 Composition VII

28 Composition VII (1913)

Fantasy-Cubism:

Marc Chagall (1887-1985, Russian)

4-29 I and the Village

29 I and the Village (1911)

4-30 The Juggler

30 The Juggler (1943)

4-31 Exodus

31 Exodus (1952-1966)

Paul Klee (1879-1940, Swiss)

4-32 On a Motif from Hamamet

32 On a Motif from Hamamet (1914)

4-33 Red Balloon

33 Red Balloon (1922)

4-34 Park Near L(ucerne)

34 Park Near L(ucerne) 1938)

Minimalism (Neoplasticim):

Piet Mondrian (1872-1944, Dutch)

4-35 Broadway Boogie-Woogie

35 Broadway Boogie-Woogie (1941-42)

Surrealism:

Max Ernst (1891-1976, French/German “Dadaism”)

4-36 The Fireside Angel

36 The Fireside Angel (1937)

4-37 Die ganze Stadt Dissertation

37 Die Ganze Stadt (The Whole City)Dissertation Paul Klee (1970)

4-38 Configuration

38 Configuration (1974)

Salvador Dali (1904-1989, Spanish)

4-39 The Persistence of Memory

39 The Persistence of Memory (1931)

4-40 The Sacrament of the Last Supper

40 The Sacrament of the Last Supper (1955)

4-41 Galacidalacidesoxyribonucleicacid

41 Galacidalacidesoxyribonucleicacid (1963)

Fourth Quarter Musical Examples

Romantic:

Franz Peter Schubert (1797-1828, Austrian)

Example 1: Erlkönig (from Goethe Lieder) Lied or Art Song

Felix Mendelssohn-Bartholdy (1809-1847, German/English)

Example 2: Violin Concerto in E Minor, 1st Movement (1844)

Fréderic Chopin (1810-1849, Polish/French)

Example 3: Waltz in E-flat Major (Piano solo)

Johannes Brahms (1833-1897, German)

Example 4: Symphony #2 in D Major, 3rd Movement (1877)

Example 5: “Wie lieblich sind deine Wohnungen” (How Lovely is Your Dwelling Place) from Ein Deutsches Requiem (A German Requiem) 1867

Antonín Dvorák (1841-1904, Czech)

Example 6: Symphony #9 in E Minor “New World”, 4th Movement (1893)

Modest Mussorgsky (1839-1881, Russian)

Example 7: “The Hut of Baba Yaga” and “The Great Gate of Kiev” from Pictures from an Exhibition (1874)

Nineteenth Century Operatic:

Giaocchino Rossini (1792-1868, Italian)

Example 8: “La ran la lera; Largo al factotum” (I am the busiest man…) from Il Barbiere di Siviglia (The Barber of Seville), comic opera, 1814

Giuseppe Verdi (1813-1901, Italian, “verissimo” opera)

Example 9: “Un di felice, eterea” (One Happy Day…), aria, duet, and recitative from La Traviata, 1853

Richard Wagner (1813-1883, German)

Example 10: The Ride of the Valkyries, instrumental interlude from Die Walküre, 1874

W. S. Gilbert (1836-1911–words) and Sir Arthur Sullivan (1842-1900–music), English

Example 11: Finale from operetta H. M. S. Pinafore, 1878

Impressionism:

Claude Debussy (1862-1918, French)

Example 12: Nocturne Nuages (Clouds), 1894

Expressionism:

Igor Stravinsky (1882-1971, Russian/French)

Example 13: Excerpt from ballet Le Sacre du Printemps (The Rite of Spring) from 2nd Movement “The Sacrifice”, 1921

Twentieth Century Folk Idiom:

Ralph Vaughan-Williams (1872-1958, English)

Example 14: Fantasia on “Greensleeves”, early 1900’s

Béla Bartók (1881-1945, Hungarian)

Example 15: Finale from Concerto for Orchestra, 1943

Benjamin Britten (1913-1976, English)

Example 16: “Rejoice in the Lamb”; “For I Will Consider My Cat, Jeoffrey” from cantata Rejoice in the Lamb, 1943 (Words by Christopher Smart, 18th Century “unbalanced” poet)

Twentieth Century Experimental:

Alban Berg (1885-1935, German)

Example 17: Excerpt from conclusion of the opera Wozzeck: “Das Messer? Wo ist das Messer?” (The knife–where is the knife?) utilizing sprechgesang (spoken song), 1935, 1921

Olivier Messiaen (1908-1992, French)

Example 18: “Les Anges” (The Angels) from La Nativité du Seigneur (The Birth of the Lord), 1935

Krzysztof Penderecki (1933-      ) Polish

Example 19: Threnody for the Victims of Hiroshima, 1959-61

Arvo Pärt (1935-    ) Estonian

Example 20: The Beatitudes (“Holy Minimalism”) 1990-91

Fourth Quarter Hymn History You Tube Links

Week 27: Abide with Me (Henry Francis Lyte)    https://youtu.be/sj3GYEkMk6s

Week 28: Spirit of God, Descend Upon My Heart (George Croly)    https://youtu.be/q9vOXtWFGA4

Week 29: Crown Him with Many Crowns (Matthew Bridges)    https://youtu.be/jZBVD6VqBLM

Week 30: Eternal Father, Strong to Save (William Whiting)    https://youtu.be/MhN5yvQt0Ak

Week 30: Immortal, Invisible (Walter Chalmer Smith)    https://youtu.be/EsOF-aZR_no

Week 31: In the Bleak Midwinter (Christina Georgina Rossetti)    https://youtu.be/YqixM8jGqMk

Week 32: O God of Earth and Altar (G. K. Chesterton)    https://youtu.be/etI_QRNJfkw

Week 33: Lord of All Hopefulness (Jan Struther)    https://youtu.be/qtAMvzIjQao

Week 34: I Am the Bread of Life (Sr. Suzanne Toolan)    https://youtu.be/UQKzx2yi8_E

Week 34: How Great Thou Art (Carl Boberg/Stuart Hine)    https://youtu.be/fr78_-H_7fg

Week 35: O Church Arise (Stuart Townend, Keith Getty)    https://youtu.be/0V3I8x7hmNw